To celebrate the launch of the new Archnet, I’m presenting a Spotify playlist on the theme of architecture and the built environment. It explores various themes, ranging from an appreciation of great cities and monuments, to architecture as a spiritual metaphor. Check it out and let me know what you think?
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Amnesty International is one of the most important human rights organizations operating in the world today, and it celebrating its 50th Anniversary this year. Started in 1961 with a worldwide “Appeal for Amnesty” on behalf of individuals imprisoned for the peaceful expression of their beliefs written by British lawyer Peter Benenson, the movement now counts more than 3 million people worldwide.
What better way to celebrate this milestone anniversary than with an album of songs by a man whose songs include the anthems “I Shall Be Released” and “Chimes of Freedom”? Bob Dylan has long been a supporter of Amnesty International, and Chimes of Freedom was also the unofficial anthem for the amazing Human Rights Now Tour, commemorating the 40th anniversary of the Universal Declaration of Human Rights in 1988.
The collection is available now directly from Amnesty International, on iTunes, or at Amazon. I downloaded the digital tracks, 76 of them, for $19.99 and it’s the best $20 I’ve spent in recent memory. I’m not exaggerating. By and large it’s great music, but more on that in a minute. Let’s get some math out of the way first, if you’re budget conscious like me. I don’t buy much music these days. For the most part, I rely on a subscription service, Rhapsody, for my music. I only purchase music when there’s are really good reason to. This is worth buying, a bargain by any standards.
It is a 76 song digital download for $19.99, or 4 CDs for $24.99. Moreover, all profits go to help Amnesty International in its work. That’s well over 5 hours of music and the satisfaction of helping out one of my favorite causes, for the price of two album downloads on iTunes. Your average digital LP on iTunes or most other legal sites is usually $9.99 (increasingly $11.99) and it usually includes 10-12 songs. This is 76 songs. If that were sold at 12 songs per record , it would be 6 1/3 records. Nobody like fractions, so let’s just say this collection equals 6 iTunes LPs + 4 free bonus tracks. If Amnesty International were a record label and not a human rights nonprofit, they’d have known to more slickly market this collection typical price of $59.94, but tell us it’s on sale now for $19.99, $24.99 for the 4 CDs. Then we’d know we’re getting a bargain!
Of course it’s only a bargain if the music is good. It could contain twice as many tracks, but if you only like 9 of them, then you still don’t want to pay $20.
I have to oddest musical tastes of anyone I know. I don’t dare say they are particularly good tastes, because while I do enjoy a bit of the highbrow every now and then and can be deeply moved by a complex piece of music for no other reason than it is masterfully played, I more often enjoy the decidedly low brow. Authenticity impresses me as much as artistry, and a voice cracking with emotion resonates as profoundly as a soprano’s high C. Energy, spontaneity and interaction more often appeal to me more than a perfectly timed, synced flawless performance.
(Just stuck this in because I was there!)
So why do I have odd tastes? Well, because this evening as I was relaxing after work, I had my iPod set on random, and this is what I listened to. The list was genuinely random. I did not interfere at all. I’ll describe the tracks as best I can, but it won’t be easy, first because the music I like tends to push the limits of genres and second because I often can’t apply genre labels well, given that I don’t pay much attention to them.
* Terra Umana – Patrick Fiori’s version of this well known classic from his album 4 Mots Sur un Piano.
* Denya Wezman (That’s Life) – By the simply amazing Algerian singer/songwriter, guitar virtuoso Souad Massi.
* Bread and Water – Ryan Bingham began his career on the rodeo circuit, then did his time playing in roadhouses. The song is From the album Mescalito.
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* I’m Glad There is You – Jamie Cullum is a young jazz pianist/pop star from the UK. This is his interpretation of the Jimmy Dorsey, Paul Madeira classic. It took some nerve to do this. Carmen MacRae, Sarah Vaughan and Frank Sinatra are just three of the people who have recorded well know versions of this song. It’s from Cullum’s album Catching Tales.
* Singin’ in the Rain – Yes, that Singin’ in the Rain. The Song that Gene Kelley danced to with the umbrella and the lamp post for his partner. Here the version is from Jamie Cullum’s debut album Twentysomething.
* Willie and Lauramae Jones – From Just A Little Lovin’, Shelby Lynne’s album of songs by Dusty Springfield. It doesn’t include “Son of a Preacher Man” though. Shelby says that’s Dusty’s song and she can’t imagine recording that one.
* Rosalinda’s Eyes – From Billy Joel’s 52nd Street. Joel’s tour to promote this album was the first concert I ever saw.
* International Echo – Allen Toussaint and Elvis Costello collaborated on this one, from the album The River in Reverse.
* My Heart Skips a Beat – From the album Dwight Sings Buck, songs of Buck Owen performed by Buck and Dwight Yoakam.
* Black Crow – Diana Krall’s version of the Joni Mitchell song from her album The Girl in the Other Room.
You can get some of these at iTunes through the iTunes Mix I made. I doubt anyone will want such a strange mix, but some of this is obscure, so this will give you a chance to hear samples.
And just for good measure, you don’t get more genre defying than this. Diana Krall, Elvis Costello and Willie Nelson performing together the song that Willie Nelson composed and Patsy Cline made famous.
To celebrate the launch of the new Archnet, I’m presenting a Spotify playlist on the theme of architecture and the built environment. It explores various themes, ranging from an appreciation of great cities and monuments, to architecture as a spiritual metaphor. Check it out and let me know what you think?
