The album, Junky Star, releases in three day on August 31st. The first single, “Depression“, is available now. I know this sounds like advertising, and it would be if I were getting paid. I’m just excited! I’ve heard most of the tracks on the record, and it’s going to meet expectation. Here’s one.
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Regular readers of this blog, follows of my twitter feed, and all my friends are aware that I’ve been collecting train songs for a few weeks. I wanted to post the list before National Train Day on May 8, 2010, but I didn’t get it posted. But here they are now, in two versions. Neither Rhapsody or iTunes has all the songs I need for the list, but between the two of them, I have almost nearly all the songs. There’s some overlap. Thanks to everyone who sent me suggestions. If you have more, keep them coming. Let me know the song and where you heard it or why you like it. Let me know what you think of these lists, too.
Just an eclectic playlist of some stuff I find myself listening to a lot lately. Mostly pretty mellow stuff. There are a few of artists I’d like to single out:
Elizabeth Cotten is a self taught left handed guitarist and banjo player from rural NC who was discovered while working for the Seeger family as a maid. She recorded here first album when she was in her 60s, and ended up recording quite a few
Samantha Farrell‘s second album, Luminous, was produced by LeRoi Moore of DMB, and is a more interesting collection, but it is not available on Lala so I couldn’t include it in this widget. But I like this collection too. Farrell is a talented musician with a rich voice, so I think she’d probably have to make an effort to produce a bad record.
I’ve included a few songs from a benefit album forPreservation Hall and the Preservation Hall Jazz Band. This is a great collection of songs. The Preservation Hall Jazz Band is all about saving traditional style jazz from New Orleans. The album pairs them with some of the better known or critically acclaimed artists in contemporary popular music to sing some of the best known standards.
Corpus Christi Bay is uncharacteristically mellow and lacking in irony for Todd Snider, but it was written by Robert Earl Keen. I like Snider’s voice on this kind of song. He should do more of them.
You probably know enough about all the rest of this stuff. Enjoy.
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Every once in a while, I feel like sharing the music I’ve been listening to lately on this blog. Even in this age of iPods, I still believe music is meant to be enjoyed socially. So I’m sharing a few things here and would love to know what you think of them for better or worse.
This first set is a handful of videos from people I’ve seen live recently and have enjoyed or who are recent discoveries. Let me know what you think.
Saw Jamie Cullum at the House of Blues and he was brilliant. Much more of a showman than I thought he’d be, and much more of a piano virtuoso, too. HOB was a terrible venue though, at least in my opinion. Stupid rules about where you can stand; constant distractions from staff moving people around, according to the rules, yet being inconsistent about it; ATMs with $4 fees; terrible, cold concession food that is only available on the 1st floor which folks from the upper floors are not allowed to go down too except when the food is ready. It’s the most un-Rock and Roll rock Rock Rock Club that I have been to in a long time. Continue reading →
Ok, so maybe I’m just a little bit obsessed with this guy’s music, but I’ve got to share this video with you. This is “The Weary Kind“, written by T-Bone Burnett and Ryan Bingham, and performed by the latter. Ryan Bingham is just amazing, but I’ve said that in this blog before. This song is one of his best. It’s haunting in itself, but I can’t imagine many people with a voice better able to convey to lyrics and sentiment in them than Bingham. But I don’t have to describe it, do I? Give it listen. Then rush on over to this page in Amazon.com where you can hear more samples and buy the music too. I suspect you will want to.
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I’ve been going to a lot of concerts recently. The last two I’ve been to couldn’t be more different from one another in style, though. I’ll not provide bios and explanations of style. I’m sure I’ve talked about these artists before, anyway. Just listen to them.
This is Mika, and the video is actually from this tour, four nights ago. It’s on my favorites among his songs. The sound kind of sucks, but you will get a sense of his music, at least. The concert was tonight at the Orpheum Theater in Boston. He puts on a great show, even if he did rip his pants and nearly lose them on the first song! That’s a risk you take being such an energetic showman.
There’s no compelling reason to swallow it with any wholesale viagra natural liquid since it disintegrates so effortlessly. price cialis Therefore you should start exploring this solution to avail its beneficial impacts. The medicines available for ED best prices on sildenafil belong to the same and causing erection for many hour. Some systemic and respiratory diseases that cause viagra prices male impotence can include post-traumatic stress disorder, major depression, pressures of routine existence and also anxiety conditions. Last Sunday I went to see Ryan Bingham and the Dead Horses in the Iron Horse Music Hall in Northampton. This video is a song from the new album, the one that he refers to at the beginning of it. All the videos currently online from the tour he is on now with he band are pretty bad in terms of sound quality, obviously recorded from the middle of the crowd with far too much ambient noise, so that’s why I am including this one from earlier this year. I love the song and can relate to the lyrics.
Ryan Bingham caught my attention shortly after the release of his first album Mescalito. It struck a chord with me and quickly became one of the most frequently played discs in my iPod. His new disc, Roadhouse Sun, is even better, and more overtly political, which I always like (assuming I agree with the politics, of course).
It’s hard to say why I like his music so much. It’s difficult to imagine an artist with a life’s experience more different than mine. Bingham spent time on the rodeo circuit riding bull before becoming a singer-songwriter.
Americana singer/songwriter Ryan Bingham was raised in rural Texas, where years of hardscrabble ranch work and competitions on the rodeo circuit would eventually surface in the dusty riffs of his country-styled debut, Mescalito.
Living alone since his mid-teens, Bingham shuttled back and forth between Southwestern border towns and relatives’ homes, often sleeping in his truck after nightly rodeo gigs. It was during those treks that he began entertaining friends with the guitar, an instrument he’d learned at the age of 17 from a mariachi neighbor. Drawing inspiration from Bob Dylan, Marshall Tucker, and Bob Wills — all of whom populated the jukebox of The Halfway Bar, a roadhouse owned by Bingham’s uncle (whose musical tastes influenced those of his nephew) — Bingham fashioned a road-weary sound that soon piqued the interest of a barroom proprietor in Stephenville, TX.
–Bio on AOL Music
Maybe that biography is exactly why it appeals to me. There’s a sense of authenticity when he sings about hard times.Last night I saw him play live at the Iron Horse Music Hall in Northampton, MA.
Jonny Burke
It was great, but before I talk about him I want to say a few words about his opening act, Jonny Burke. When the young, slender, almost waifish, Burke came out with his super tight-fitting jeans and shoulder length, dirty blond hair I thought to myself, oh no! What are we in for now? What is this pretty boy rocker going to play? Did they bring a bad Kurt Cobain rip off to open? Or worse stil, maybe we’re in for bubble gum pop in the style of one hit wonders Hanson! If I hadn’t wanted a good seat I might have actually skipped the opening act. Maybe I am going to wish I should have.
I was wrong. Burke was great. Born and raised in New Braunfels, Texas, on 35 between Austin and San Antonio, just outside of the latter, he grew up on music in that area so steeped in the Texas musical tradition. It kind of hard to characterize that tradition because it is really varied. Just take a look at the artists from the region. Burke, himself, in his MySpace biography, claims to have been influence by Chuck Berry as a boy, and that it was his meeting with Townes Van Zandt that really changed his life.
Burke learned his lesson well. He’s a talented songwriter, and engaging performer and he put on a great show. He won me over and I’m pretty sure he won over the crowd, as well. We were lukewarm at first, and he had to prove himself. He did, because he seemed to care that he did, like all good Rockers do. Indeed, waiting in line for the bathroom between sets, a woman came down who summed it up nicely. “That was a great surprise,” she said. coût viagra check out here Health always comes before anything else in the world. levitra free samples DATA SOURCE* Data were collected in June-September 2005 by U.S. The impact of it keeps going between 4-6 viagra canada overnight hours. Skin conditions: People with type 2 diabetes are alluded to endocrinologists in the event that they are offering bona fide viagra cialis on line devensec.com additionally.
As for Ryan Bingham, he also exceeded my expectations. Oddly enough, that was a little bit of a surprise, too. I love his music, but I had checked out the YouTube videos, and they are bad. The sound is terrible and performances recorded in such a way that the crowd noises are the only thing you can really hear. YouTube videos are often no friend to the artist.
Then I had seen him on Austin City Limits and it was a good set, but just not overwhelmingly exciting. To be sure, live music is always better experienced live, but it was more than that. I had a very hard time convincing friends to go with me to the concert, so I was worried.
Well, the show at the Iron Horse was fantastic. I think a lot of it has to do with the venue. Bingham is at his best in a small venue where he can engage with and feed off the crowd. It was such an exciting show. He began the show with an acoustic guitar and harmonica and a quiet start. Then he really rocked the house. It was great. Ryan is an interesting performer. When he interacts with the audience he comes across as shy and unassuming. But when he steps behind his guitar and microphone, he’s larger than life. The songs are powerful and the band tight.
Incidentally, The same musicians played with Jonny Burke: Matt Smith – Drums and Percussion Corby Schaub – Electric Guitar, Mandolin, Kettle Drums & Background Vocals Elijah Ford – Bass
If you ever have the chance, check him out live. You won’t regret it.
For your enjoyment, here’s the first single from Roadhouse Sun, Snake Eyes.
Ryan Bingham has spent most of his life on the road, first on the rough-and-tumble rodeo circuit, then moving from town to town on the equally volatile roadhouse musical circuit. Those travels have given him plenty of material to draw from – and plenty of reason to stop for a moment to dig in his heels and take a stand.
His first album was remarkable, the new one is amazing! Some songs are hauntingly beautiful, others political, and a few just music for a good time. But it quickly become apparent that the album may be Roadhouse Sun, but Ryan Bingham is not just a Roadhouse singer. Judge for yourself.
Snake Eyes
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I was fishing around the internet a bit today for video of Ryan Bingham performing songs from his new album live, and I came this video of Dolce & Gabbana premiering its collection for summer 2010. Everything about this video is bizarre. First you have these cowboy clothes (sort of, anyway) on these perfectly built, immaculately coiffed, smooth-skinned models as the parade down a catwalk. Are those saddle bags they’re carrying? What’s the deal with the spurs?
Ryan Bingham
Then there are the clothes themselves. I always knew D&G clothes were expensive, but the tattered jeans and worn looking gear made me wonder who much this stuff sells for. I couldn’t find these exact items, but well-worn jeans on the D&G site sell for more than $300. That’s a lot of money to look poor. I’m just saying.
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Train Songs
too. Farrell is a talented musician with a rich voice, so I think she’d probably have to make an effort to produce a bad record.
