Amnesty International is one of the most important human rights organizations operating in the world today, and it celebrating its 50th Anniversary this year. Started in 1961 with a worldwide “Appeal for Amnesty” on behalf of individuals imprisoned for the peaceful expression of their beliefs written by British lawyer Peter Benenson, the movement now counts more than 3 million people worldwide.
What better way to celebrate this milestone anniversary than with an album of songs by a man whose songs include the anthems “I Shall Be Released” and “Chimes of Freedom”? Bob Dylan has long been a supporter of Amnesty International, and Chimes of Freedom was also the unofficial anthem for the amazing Human Rights Now Tour, commemorating the 40th anniversary of the Universal Declaration of Human Rights in 1988.
The collection is available now directly from Amnesty International, on iTunes, or at Amazon. I downloaded the digital tracks, 76 of them, for $19.99 and it’s the best $20 I’ve spent in recent memory. I’m not exaggerating. By and large it’s great music, but more on that in a minute. Let’s get some math out of the way first, if you’re budget conscious like me. I don’t buy much music these days. For the most part, I rely on a subscription service, Rhapsody, for my music. I only purchase music when there’s are really good reason to. This is worth buying, a bargain by any standards.
It is a 76 song digital download for $19.99, or 4 CDs for $24.99. Moreover, all profits go to help Amnesty International in its work. That’s well over 5 hours of music and the satisfaction of helping out one of my favorite causes, for the price of two album downloads on iTunes. Your average digital LP on iTunes or most other legal sites is usually $9.99 (increasingly $11.99) and it usually includes 10-12 songs. This is 76 songs. If that were sold at 12 songs per record , it would be 6 1/3 records. Nobody like fractions, so let’s just say this collection equals 6 iTunes LPs + 4 free bonus tracks. If Amnesty International were a record label and not a human rights nonprofit, they’d have known to more slickly market this collection typical price of $59.94, but tell us it’s on sale now for $19.99, $24.99 for the 4 CDs. Then we’d know we’re getting a bargain!
Of course it’s only a bargain if the music is good. It could contain twice as many tracks, but if you only like 9 of them, then you still don’t want to pay $20.
The record marks a return to the studio for the farm boy from North Dakota, turned New Yorker, who’s now become a Boston resident since moving here with his husband in May, 2009. He has spent the last year reading, studying yoga, meditating, and enjoying married life off the road. But now “he’s got the bug again,” and the Christmas collection is just some of the new music coming our way. A new single, My Vow to You, is already available on iTunes.
In this video interview he talks about his childhood, becoming a musician, the importance of music in negotiating his identity as a gay man of mixed Native American and White heritage, his spirituality, his career thus far, and what is still to come.
The album, Junky Star, releases in three day on August 31st. The first single, “Depression“, is available now. I know this sounds like advertising, and it would be if I were getting paid. I’m just excited! I’ve heard most of the tracks on the record, and it’s going to meet expectation. Here’s one.
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Ryan Bingham caught my attention shortly after the release of his first album Mescalito. It struck a chord with me and quickly became one of the most frequently played discs in my iPod. His new disc, Roadhouse Sun, is even better, and more overtly political, which I always like (assuming I agree with the politics, of course).
It’s hard to say why I like his music so much. It’s difficult to imagine an artist with a life’s experience more different than mine. Bingham spent time on the rodeo circuit riding bull before becoming a singer-songwriter.
Americana singer/songwriter Ryan Bingham was raised in rural Texas, where years of hardscrabble ranch work and competitions on the rodeo circuit would eventually surface in the dusty riffs of his country-styled debut, Mescalito.
Living alone since his mid-teens, Bingham shuttled back and forth between Southwestern border towns and relatives’ homes, often sleeping in his truck after nightly rodeo gigs. It was during those treks that he began entertaining friends with the guitar, an instrument he’d learned at the age of 17 from a mariachi neighbor. Drawing inspiration from Bob Dylan, Marshall Tucker, and Bob Wills — all of whom populated the jukebox of The Halfway Bar, a roadhouse owned by Bingham’s uncle (whose musical tastes influenced those of his nephew) — Bingham fashioned a road-weary sound that soon piqued the interest of a barroom proprietor in Stephenville, TX.
–Bio on AOL Music
Maybe that biography is exactly why it appeals to me. There’s a sense of authenticity when he sings about hard times.Last night I saw him play live at the Iron Horse Music Hall in Northampton, MA.
Jonny Burke
It was great, but before I talk about him I want to say a few words about his opening act, Jonny Burke. When the young, slender, almost waifish, Burke came out with his super tight-fitting jeans and shoulder length, dirty blond hair I thought to myself, oh no! What are we in for now? What is this pretty boy rocker going to play? Did they bring a bad Kurt Cobain rip off to open? Or worse stil, maybe we’re in for bubble gum pop in the style of one hit wonders Hanson! If I hadn’t wanted a good seat I might have actually skipped the opening act. Maybe I am going to wish I should have.
I was wrong. Burke was great. Born and raised in New Braunfels, Texas, on 35 between Austin and San Antonio, just outside of the latter, he grew up on music in that area so steeped in the Texas musical tradition. It kind of hard to characterize that tradition because it is really varied. Just take a look at the artists from the region. Burke, himself, in his MySpace biography, claims to have been influence by Chuck Berry as a boy, and that it was his meeting with Townes Van Zandt that really changed his life.
Burke learned his lesson well. He’s a talented songwriter, and engaging performer and he put on a great show. He won me over and I’m pretty sure he won over the crowd, as well. We were lukewarm at first, and he had to prove himself. He did, because he seemed to care that he did, like all good Rockers do. Indeed, waiting in line for the bathroom between sets, a woman came down who summed it up nicely. “That was a great surprise,” she said. coût viagra check out here Health always comes before anything else in the world. levitra free samples DATA SOURCE* Data were collected in June-September 2005 by U.S. The impact of it keeps going between 4-6 viagra canada overnight hours. Skin conditions: People with type 2 diabetes are alluded to endocrinologists in the event that they are offering bona fide viagra cialis on line devensec.com additionally.
As for Ryan Bingham, he also exceeded my expectations. Oddly enough, that was a little bit of a surprise, too. I love his music, but I had checked out the YouTube videos, and they are bad. The sound is terrible and performances recorded in such a way that the crowd noises are the only thing you can really hear. YouTube videos are often no friend to the artist.
Then I had seen him on Austin City Limits and it was a good set, but just not overwhelmingly exciting. To be sure, live music is always better experienced live, but it was more than that. I had a very hard time convincing friends to go with me to the concert, so I was worried.
Well, the show at the Iron Horse was fantastic. I think a lot of it has to do with the venue. Bingham is at his best in a small venue where he can engage with and feed off the crowd. It was such an exciting show. He began the show with an acoustic guitar and harmonica and a quiet start. Then he really rocked the house. It was great. Ryan is an interesting performer. When he interacts with the audience he comes across as shy and unassuming. But when he steps behind his guitar and microphone, he’s larger than life. The songs are powerful and the band tight.
Incidentally, The same musicians played with Jonny Burke: Matt Smith – Drums and Percussion Corby Schaub – Electric Guitar, Mandolin, Kettle Drums & Background Vocals Elijah Ford – Bass
If you ever have the chance, check him out live. You won’t regret it.
For your enjoyment, here’s the first single from Roadhouse Sun, Snake Eyes.
Amnesty International is one of the most important human rights organizations operating in the world today, and it celebrating its 50th Anniversary this year. Started in 1961 with a worldwide “Appeal for Amnesty” on behalf of individuals imprisoned for the peaceful expression of their beliefs written by British lawyer Peter Benenson, the movement now counts more than 3 million people worldwide.
The collection is available now directly from Amnesty International, on iTunes, or at Amazon. I downloaded the digital tracks, 76 of them, for $19.99 and it’s the best $20 I’ve spent in recent memory. I’m not exaggerating. By and large it’s great music, but more on that in a minute. Let’s get some math out of the way first, if you’re budget conscious like me. I don’t buy much music these days. For the most part, I rely on a subscription service, Rhapsody, for my music. I only purchase music when there’s are really good reason to. This is worth buying, a bargain by any standards.
