“American VI: Ain’t No Grave” Wow!

Johnny Cash!  The Man in Black!  He’s had an amazing career.  One of his biggest hits was “I Walk the Line,” but for the most part Cash drew the line he walked.  It didn’t always go forward, either.  At points in his life Cash struggled with drug addiction and alcoholism.  He landed in jail more than once, and his first marriage ended because of infidelity.  But Cash ultimately kicked these habits and settled down with his second wife, June, who he lived with until she died in 2003. (bio)

He died 5 months later, but some of his most interesting albums came out toward the end of his life.  In the 90s Cash had lost his recording contract, but he made yet another comeback.  began working with producer Rick Rubin on American Recordings, a stark series of albums that showcase the ability of this great artist to write and interpret songs, making them his own.  But while Johnny has settled down in his life, he never stopped being something of a musical Rebel.  You’ll find Johnny Cash in the Country section of your record store, but you’ll find albums the really defy genres by a man who influenced fell musicians from the world of country, rock, new wave, punk, rhythm and blues and gospel, including Merle HaggardBruce SpringsteenBob Dylan, Ray Charles, U2, Oscar the GrouchSheryl Crown, Gaslight Anthem, Elvis Costello and Norah Jones

Many of the song choices on the American Recordings series are surprising.  There are those you might expect like “Danny Boy,” “Country Trash,” “Down There by the Train” and “Wayfaring Stranger,” but there are also tracks such as Leonard Cohen’s “Bird on a Wire,” Depeche Mode’s “Personal Jesus,” U2’s “One,” and Nine Inch Nails’ “Hurt.”

Johnny Cash – Hurt from Hans Blom on Vimeo.

During the last week in February the sixth and last of the American Recordings series was released.  “American VI: Ain’t No Grave” comes out seven years after Johnny Cash died and, to be honest, I was not expecting much.  I was certain this was a cobbled together collection of tracks recorded by a man who was very ill that were never intended for release, but that someone simply couldn’t resist the urge to milk for money.

I was wrong!

According to the website for Lost Highway records, songs on this disc were recorded between  the completion of American IV: The Man Comes Around in 2002 right up until September 12, 2003, the day Cash passed.

During these sessions, in May of 2003, less than four months before he passed, Cash lost his wife June Carter Cash due to surgical complications. According to Rubin, “Johnny said that recording was his main reason for being alive. I think it was the only thing that kept him going.”

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Cash feared that American IV might be his last release, so Rubin suggested that he immediately begin writing and recording new material. Due to the artist’s frail condition, Rubin arranged for an engineer and guitar players to always be on call. “Every morning, when he’d wake up, he would call the engineer and tell him if he was physically up to working that day,” Rubin explains.
During those months, Rubin went to Nashville several times to record with Cash. After a particularly productive four days of sessions, the artist said to the producer, “Oh, this is great; please stay longer.” So Rubin canceled his return flight to L.A., only to get a call the next morning that Cash was back in the hospital. “So there was a lot of stopping and starting, based on his health,” says Rubin. “But he always wanted to work. The doctors in the hospital kind of lectured me, saying, ‘He’s not going to stop, so you have to make sure he doesn’t work too much.’”
As might be expected, the theme of the album is death, a man taking his leave of the world.
Yet there is nothing morbid about it.  It is characterize by melancholy, or perhaps just sadness and nostalgia, but also of anger and hope.  The sadness come from compassion for the victims of injustice and the pain of losing loved ones.  Consider these line’s from “For the Good Times” by Kris Kristoferson.
Don’t look so sad, I know it’s over.
But life goes on, and this old world will keep on turning.
Let’s just be glad we had some time to spend together.
There’s no need to watch the bridges that we’re burning.
Cash was always an outspoken critic against social injustice. It’s a pronounced tradition in Country Music that is easily overlooked amidst the slick, jingoistic, commercialized music that has become mainstream today. On this record and in Johnny Cash’s music throughout his career, it is his outrage of over injustice that is the source of his anger. On Ain’t No Grave you find it in songs like “Redemption Day“, written by Sheryl Crow.
Fire rages in the streets
And swallows everything it meets
It’s just an image often seen
On television
Come leaders, come you men of great
Let us hear you pontificate
Your many virtues laid to waste
And we aren’t listening
In many ways this is a farewell album, but it is a farewell tinged with hope.  Cash was a deeply religious man and so he didn’t fear death.  It is clear in the song he wrote himself, I Corinthians 15:55, and in the title track, “Ain’t No Grave,” a spiritual penned by a preacher known as Brother Claude Ely from the Appalachian Mountains.
Meet me Jesus meet me
Meet me in the middle of the air
if these wings fail me, meet me with another pair.
You don’t have to be religious to enjoy this album, though.  I’ve always felt that is I were ever to become religious again it would probably be through the lure of music.  It packs such enormous emotional power, and that’s what I enjoy about this song.  This is an album made my a man who is frail and weak.  You’ll not here the same voice that boomed on Folsom Prison Blues or Ring of Fire.  Yet it is the powerful voice of a man who gains strength from his convictions.  Moreover, the musicians do a great job and Barry Rubin once again proves himself the perfect partner for Cash.  I don’t know why it took eight years to release this album, but I am glad it is here.

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