I regularly record Acousticfrom TV5 Monde on my DVR, and I just finished watching this week’s program with Rachid Taha. I’m a big fan of Taha and on the episode he sang some songs from a new album called Bonjour. They weren’t the best songs he ever recorded, but I liked them and I want the CD. I have all Taha’s records, and I want this one, too.
So I set out looking for it. The first place I looked was iTunes. I’m always ambivalent about albums on iTunes, though I buy most of my music there. I like the instant gratification. I can also find stuff that’s hard to find in stores. As record stores disappear, its not easy to find anything but the biggest hits in retailers like BestBuy, Barnes&Noble or Borders. On the other hand, I like having all that information the downloads don’t provide but that usually comes in a CD: names of composers and lyricists, producers and members of the band, information about where and when something was recorded, anecdotes from the sessions, photographs and all that stuff you usually find in the liner notes that accompany a CD. But it wasn’t in iTunes, anyway. Continue reading →
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A lot of technologies promise to have you speaking a language in a matter of weeks, 30 days maximum. They seldom deliver, of course. But finally there’s is an application that delivers, and better and faster than any other book, audio recording, software or even liv teacher or tutor. Within a matter of minutes, literally, this application can have you speaking a basic set of essential phrases in French or Arabic with the fluency of a native speaker. Yes, you’ll be able to ask directions, order food and drink, discuss sports, book a hotel and all the other things you need to get by on a daily basis. And the words will come out of your own lips.
So what do you think about that song? It was a Top 5 single in France, propelling the album it came from as high as #81 on the album charts, not just for France, but for all of Europe. Grégoire is a rising star. It just goes to show you what happens when you get discovered and a major record label puts it weight behind you.
Only Grégoire wasn’t on a major label when he recorded that album. He was on a label called My Major Company, an online community that helps artists and producers find one another so that good music can be recorded and promoted in a professional manner. The producers are the users of the site who invest sums of their choosing and, in turn, receive a share of royalties just as any other producer would do.
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Grégoire’s rise to fame began in association with My Major Company (MMC), an innovative online music company in France that operates almost entirely outside the major-label music system. He was the first MMC artist to break through to mainstream success when his song “Toi + Moi” was put into regular rotation by the popular radio stations RTL and NRJ. Grégoire’s full-length solo debut album, Toi + Moi (2008), was subsequently released in association with Warner Music France, which had agreed to a distribution deal with MMC earlier in the year. Debuting at number two on the French albums chart, Toi + Moi proved similarly popular in neighboring Belgium and Switzerland, as did the title track, charting at numbers one and nine on the respective singles charts there. In the wake of his breakthrough success, Grégoire was nominated for Best New Artist at the 2009 NRJ Music Awards.
The producers, on the other hand, not only have the possibility of recovering and even seeing a return on their investment, but they also have the satisfaction of literally investing in and enabling the career of an artist they care about with professional produced recordings and national exposure.
This article dates all the way back to September or last year, but I just discovered it again. It symbolizes a much more important change than it might seem at first because since independence the central government has attempted to impose a homogeneous identity on the people of the nation.
This policy not only failed to recognize minority rights in some abstract sense, but that also ensured that getting an education was more difficult for minority populations, that those who were not educated in Arabic (or French) were always at the mercy of those who were, that public health and other messages never reached a sizable portions of the population, etc. Surprisingly, as people begin more enfranchised, you see a that there was never any need to force a sense of national unity through language policy and such. By and large, Moroccans are proud to be Moroccan.
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As the number of festivals grows each year in Morocco, the Ministry of Culture is handing the reins of festival organisation and management over to civil society and regional authorities.